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We have to get half-a-dozen sample pages out to the
printer for a sales booklet before the close of play
tomorrow. We have no cover design. The team, working
with Jake, includes Victoria, a switched-on organiser
who spots a problem with relish, then demolishes it
with ineffable logic; Richard E, a (maybe I should say
the) designer whose work with bands such as The Kinks,
The Who, the Small Faces, Pink Floyd and, naturally,
the Stones, guarantees an impeccable pedigree - think
Hipgnosis. He's met Syd Barrett for God's sake - he
thinks like these people. The back-up squad: Thomas,
a quietly efficient digital designer, who thinks before
he talks; Lucian, whose music journalism background
makes actually talking to him a strangely strange experience;
and another Victoria - Vicki, fresh out of art school,
who joined my department at the beginning of December
and helped create a book on Islam. Off to the printer
by Christmas. 192 pages in three weeks. Amyl nitrate
in the flesh.
I should, but don't, miss my boss CJD's annual Christmas
lunch/frolic/walnut-throwing orgy today, but stagger
back long after dusk to find the team in place - Macs
fired up and pages ready to roll. The sales booklet
will go out with a simple typographic cover. The pages
still need work but, hell, the magic, the excitement,
is already there. It's like Christmas morning when you
woke to feel the rustling weight of a stocking at the
end of your bed. Come whatever, this is going to be
good.
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