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After
long, fragmented conversations via the Nexus, the idea
of commissioning Gered to do a studio shot of objets
trouvees, an assemblage that would, could, only mean
the Stones, in a unique and interesting way, emerges.
A copy of The Master and Margarita and a ball of blue
wool - you know the sort of thing.
Gered is up for it. This man, whose images of the
Stones and of Hendrix (check your collection) formed
part of the iconography of the Sixties, assures us he
will create an image which will not only define the
book, but will provide the motor power behind the PR
campaign.
Gered's very nice. He's very enthusiastic. He's very
accomodating. He and Bill set alight to a hotel room
(inadvertently) during a Stones tour of the States.
He will be responsible for the single most expensive
photograph to appear on the cover of a DK book. If this
doesn't work, then it's back to the drawing board for
the team. And down to the Social Security for me.
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